Later on, readings consistently revealed the same “reluctant” if not almost “resentful” feelings he had about this famous fresco. “This was due not only to the sheer size of the surface that he had to cover with frescoes (some 500 square meters) and the complex design of the whole work, but also to the extremely uncomfortable position in which he had to work, and the poor lighting, which made the task even more difficult. During all these years Michelangelo had gradually become more unsociable, bad-tempered and irascible…he was, as we put it today, a ‘difficult’ person, but in fact he was only giving vent to the nervous tension inside him.”
Unfortunately I don’t have photos to share of the Sistine Chapel or other paintings for that matter. Either I was scared of our tour guide who admitted she felt “defiled or slapped whenever tourists flash their cameras” or I genuinely felt I needed to give my proper respect by refraining to do so. It’s probably in between both.
I don't know if it's because I don't ‘respect’ sculptures as much as paintings --- in my mind, sculptures are probably less sensitive to light as paintings. I could be wrong --- but there I was amongst throngs of people who clicked away (still mindful of my tour guide's sentiments who didn't seem to mind). So here are a few things I took. I have so many other stories behind each piece but I don’t want to bore you with the details. So I’ll just hide behind the statement, “pictures speak a thousand words."